Crease Pattern

I recently posted two variations of flat square-to-octagon diagonal shifts. The first version has the shift plane aligned with a side of the square. Here’s the crease pattern for that version:

The second has the diagonal shift plane aligned along the diagonal of the square. Its crease pattern:

Here’s the crease pattern for my recent square-to-octagonal flat twist.

The folded form:

Two versions of the crease pattern for my recent test fold with an 8-sided twist in a square tube. The first is the twist version, which is similar to my typical folding style. The top and bottom square tubes are rotated 135 degrees from each other (3/8 of a circle, equivalent to a half twist minus one segment so that all the diagonal pleats go through the exact center of the tube).

The second is the pleat version, which matches the folded version I posted. The twist and pleat versions both have their own challenges in collapsing the folded form because even an 8-sided twist has 16 layers of paper (or 18 layers if you include the overlap segment) trying to converge at the same point.

A reminder of what the folded model looks like:

This piece is one I designed for my show at Furman University in 2014. This is the widest piece I’ve folded: I used one sheet of Elephant Hide cut and re-glued to make a total circumference of 126 cm (diameter of 40 cm, or 16 inches). Here’s the crease pattern, showing the painted areas on the paper:

I recently posted the crease pattern for another piece from my Intersections series. Here’s another from the same series.

This design from 2013 is one of my early pieces from the diagonal shift series. The crease pattern is below:

I folded a variation in 2014 with the same crease pattern. The only difference between these two pieces is the painted pattern.

The four-part intersections bowl is a model I designed in 2014, and I posted some photos in progress when I was folding it. I drew the crease pattern before my solo show at Furman University and displayed actual-size printouts of the crease pattern on the walls there, but somehow it never made my blog. So now it’s time to rectify that!

The crease patterns for all four pieces are below, from the tallest piece to the shortest one. Click any of the images to get a higher-resolution version.

I designed a variation to my crimp-bends last spring, and here is the crease pattern. The concept is similar, but instead of being based on two sine waves, this version is based on one sine wave and one straight horizontal line. In this variation, part of the flat plane joining the top and bottom tubes is exposed. So far I haven’t figured out a mathematically correct way to place the central line such that the joining plane folds flat, but it comes close enough to work in practice.

I posted a photo of a test model of the downhill diagonal shift earlier this year. Here is the crease pattern for that model. The central part of the crease pattern is exactly the same as the standard uphill diagonal shift I’ve posted crease patterns of before. The top and bottom sections are the crimp-bends I recently posted and build on the sine waves used in the central diagonal shift. Since each portion of the crease pattern is a distortion of a tube, it’s fairly straightforward to stack these in all sorts of interesting combinations.

I previously posted images of these crimp-bent tubes that I designed earlier this year, and here are the crease patterns. The top and bottom edge of each bend are based on sine waves. The angles of the internal crimps on each vertical gore use the same math as the diagonal shifts, where each diagonal fold is angled toward one convergence point.